Jonathan 'Eyebags' Sims (
beholding_archivist) wrote in
revivalproject2020-06-03 04:35 am
Make your Statement, face your fear.
WHO: Jonathan Sims & YOU
WHERE: Jon's Calibration Room
WHAT: Explore the Archivist's mind
WHEN: During the Calibration Event [ June 3rd - July 10th ]
WARNINGS: EYES - Body horror, possible mentions of unsettling events including kidnapping, death and dreadful monsters
The Archivist's office is a mess. Most offices are. Especially offices located in basements. Offices that belong to equally chaotic archives. And the archives of the Magnus Institute are incredibly chaotic. Gertrude Robinson has seen to that. And yet the mess in this office isn't hers. It's the mess of the current Archivist, right now seated behind his cluttered desk, appearing even smaller than he actually is, the small lamp on the table serving as the only actual source of light in this room. In front of the Archivist sits a small pile of statement files on a dining plate, but his attention isn't on the files, it's on his visitor.
There are more of these files spread all over the room. Cardboard boxes full of them stacked high and pushed into whatever free corner has once existed in it. Further boxes are stacked less high or are plain lying around, some closed, some opened, some rummaged through. Other, smaller boxes that aren't filled with files join the previous ones. There are also a few metal shelves covering part of the walls. And file cabinets. There are more files in these as well as more boxes and books. Most of them scientific in nature, some deal with the arcane, myths and legends. Various types of tape recorders and boxes of tapes are also widely strewn about as well as loose pages of paper, the occasional tea mug and cobwebs. For some reason or another there are at least a dozen fire extinguishers to be spotted throughout the room, and it likely isn't due to the clearly used ashtray or the golden lighter with a cobweb design engraved onto it on the desk near the Archivist's dust-covered laptop, untouched cup of tea and the sole human rib. Aside from more stray sheets of paper and some writing equipment, a single book also resides on the desk, its title introducing it as A Guest for Mr. Spider.
Though there is more to be found in the various shelves as well. A knife as well as a cleaver, an unsuspecting whistle that seems to be surrounded by an odd fog and will vanish should one try to reach for it. Underneath one of the shelves, there even is a plain cardboard box filled with C-4 plastic explosives. Further up, a roughly football-sized dark sun dares the visitor to look at it to plunge them into utter and complete darkness. The frisbee some may recognize as a certain someone's shield seems a little out of place as it lays unassuming on one of the higher shelves, covering an odd little action figure from view.
But maybe one feels more compelled to look out of the window, suspiciously present in this basement office. Outside lies the vastness of space, set to incite the feeling of falling right into it unless one pulls away from the sight in time. Or the human-sized mannequin standing motionless in one of the corners, wearing an ancient gorilla skin along with its top hat and a wide, leery, painted-on grin. It has no eyes. The pulsing, black and red veins creeping along the walls of the office and present themselves in varying sizes and thicknesses may also draw the visitor's attention. Or the seemingly harmless and somewhat misplaced looking yellow door draws them in, just there on the wall behind that coffin lying on the floor as if it belongs there. Thick chains are wrapped around it with a padlock holding them close, key stuck inside and inviting the visitor to unlock it. Just ignore the large letters carved into its wood imploring you to 'DO NOT OPEN' the casket. It'll be fine.
Yet... How tempting all of these things may be, the visitor may be unable to entirely ignore the MASSIVE EYE taking up the entire ceiling of the room, glowing an eerie green and watching their every move. Or any of the other eyes scattered around the room. The walls, the cabinets, the shelves, the side of the Archivist's desk, the corners, the floor, the Archivist's forehead. All shapes and sizes and colors and all of them watching the visitor unblinking, unjudging. Just following their every move around the room - Just as the Archivist himself does.
Maybe you want to look around, and maybe you just want to take a seat in that single empty chair before the Archivist's desk. There is just enough room between it and the casket to not feel too cramped in. As for the trap door next to the Archivist's desk... Now that one won't open just yet.
WHERE: Jon's Calibration Room
WHAT: Explore the Archivist's mind
WHEN: During the Calibration Event [ June 3rd - July 10th ]
WARNINGS: EYES - Body horror, possible mentions of unsettling events including kidnapping, death and dreadful monsters
The Archivist's office is a mess. Most offices are. Especially offices located in basements. Offices that belong to equally chaotic archives. And the archives of the Magnus Institute are incredibly chaotic. Gertrude Robinson has seen to that. And yet the mess in this office isn't hers. It's the mess of the current Archivist, right now seated behind his cluttered desk, appearing even smaller than he actually is, the small lamp on the table serving as the only actual source of light in this room. In front of the Archivist sits a small pile of statement files on a dining plate, but his attention isn't on the files, it's on his visitor.
There are more of these files spread all over the room. Cardboard boxes full of them stacked high and pushed into whatever free corner has once existed in it. Further boxes are stacked less high or are plain lying around, some closed, some opened, some rummaged through. Other, smaller boxes that aren't filled with files join the previous ones. There are also a few metal shelves covering part of the walls. And file cabinets. There are more files in these as well as more boxes and books. Most of them scientific in nature, some deal with the arcane, myths and legends. Various types of tape recorders and boxes of tapes are also widely strewn about as well as loose pages of paper, the occasional tea mug and cobwebs. For some reason or another there are at least a dozen fire extinguishers to be spotted throughout the room, and it likely isn't due to the clearly used ashtray or the golden lighter with a cobweb design engraved onto it on the desk near the Archivist's dust-covered laptop, untouched cup of tea and the sole human rib. Aside from more stray sheets of paper and some writing equipment, a single book also resides on the desk, its title introducing it as A Guest for Mr. Spider.
Though there is more to be found in the various shelves as well. A knife as well as a cleaver, an unsuspecting whistle that seems to be surrounded by an odd fog and will vanish should one try to reach for it. Underneath one of the shelves, there even is a plain cardboard box filled with C-4 plastic explosives. Further up, a roughly football-sized dark sun dares the visitor to look at it to plunge them into utter and complete darkness. The frisbee some may recognize as a certain someone's shield seems a little out of place as it lays unassuming on one of the higher shelves, covering an odd little action figure from view.
But maybe one feels more compelled to look out of the window, suspiciously present in this basement office. Outside lies the vastness of space, set to incite the feeling of falling right into it unless one pulls away from the sight in time. Or the human-sized mannequin standing motionless in one of the corners, wearing an ancient gorilla skin along with its top hat and a wide, leery, painted-on grin. It has no eyes. The pulsing, black and red veins creeping along the walls of the office and present themselves in varying sizes and thicknesses may also draw the visitor's attention. Or the seemingly harmless and somewhat misplaced looking yellow door draws them in, just there on the wall behind that coffin lying on the floor as if it belongs there. Thick chains are wrapped around it with a padlock holding them close, key stuck inside and inviting the visitor to unlock it. Just ignore the large letters carved into its wood imploring you to 'DO NOT OPEN' the casket. It'll be fine.
Yet... How tempting all of these things may be, the visitor may be unable to entirely ignore the MASSIVE EYE taking up the entire ceiling of the room, glowing an eerie green and watching their every move. Or any of the other eyes scattered around the room. The walls, the cabinets, the shelves, the side of the Archivist's desk, the corners, the floor, the Archivist's forehead. All shapes and sizes and colors and all of them watching the visitor unblinking, unjudging. Just following their every move around the room - Just as the Archivist himself does.
Maybe you want to look around, and maybe you just want to take a seat in that single empty chair before the Archivist's desk. There is just enough room between it and the casket to not feel too cramped in. As for the trap door next to the Archivist's desk... Now that one won't open just yet.

no subject
Two of his eyes blink at Cloud's struggle with the boxes, the third one doesn't. He then follows Cloud's trail towards the chair, not fully sure what to expect to happen from that.
Touching the chair itself does not trigger a specific memory, but rather flashes of different people sitting in that very chair across the Archivist, talking to him as he listens and takes in their stories, tape recorder running on the table between them. The snippets of tales make no real sense, but aside from the feeling of dread from each of these people as they recount their terrible encounters, each of them radiates a compulsion to share their experience with the Archivist.
It's that same compulsion Cloud will feel pulling on him, urging him to sit down, make his statement and face his fears. The Archivist doesn't judge. He merely watches, listens and records.
no subject
There's something coming over him. Cloud's felt a similar compulsion before but it was meant to be used against his will in a different matter. He can't help but slide immediately into the chair.
"I want forgiveness from someone that's not possible anymore. I couldn't protect her. I had no control over myself." He clenches his hands into fists as they rest against his knees. Why was he giving this encounter away to the Archivist? It's fresh, it's been on his mind.
no subject
Oh. Guilt. And loss. Not having been able to protect someone and yearning for forgiveness that has slipped well out of one's reach.... Yes. The Archivist is very familiar with that feeling. He, also, longs for forgiveness.
He doesn't say it, however. Instead, he just nods encouragingly "Tell me what happened?"
This is a dream, right? No one in here can possibly end up getting terrible nightmares from making a statement. Or at least that's what the Archivist hopes.
no subject
He hasn't spoken to anyone else about this matter. Not even Tifa. But that seems to be something that he does. He doesn't tell people certain things. Even friends that should be close. Cloud never told Tifa about his crush on her but being told to not come around her again burned deeply. His guilt runs deeper than this moment.
The compulsion hits and he finds himself speaking once more. Cloud could feel the sting of tears in his eyes. "I had been nothing but a puppet. Being controlled to strike down a friend. I was able to fight back. I didn't strike her down." He resisted the command. "But, she ended up dying in front of me, in my arms. There wasn't anything I could do. He still got what he wanted, even by his own hand."
He didn't know what had been lurking above. He had felt powerless to do anything but only to catch her in his arms after the fact.
no subject
"And you did nothing to stop him." The Archivist concludes calmly, not taking his eyes off his visitor. "How did it feel? Being controlled and unable to safe your friend? Losing her." Those are the interesting parts for the Archivist. The emotions entailed in those events.
no subject
no subject
"What did you do after it happened?"
no subject
He seems to want to resist this next thing he's going to say but deep down in his subconscious Reeve said telling Jon would be better than someone else. Cloud wouldn't want to ask in their reality after discussing who really is more fitted for the medical field. "I have a disease that came to the Planet. The disease leads to death. It may not be the right approach but I have my reason. I've been trying to find a way to stop it, but," He puts a hand over his left arm giving it a squeeze. "I had almost given up completely. But I found a way to keep fighting, however I'm still not cured and then ended up on Agra 10."
no subject
"Does it have to do with that... Lifestream? What exactly is that?" Some people come here to poke through his memories. Others teach him new things. Between these two options Jon certainly prefers learning to being studied.
no subject
He slowly glances over at the Archivist. Internally he's really really mad at himself. A chair should feel safe. "What is the purpose of that chair?"
no subject
He is about to ask about the Geostigma when Cloud inquires about the chair and the Archivist's regular eyes fall back upon it. The one on his forehead of course keeps watching Cloud.
"It's meant to be sit in. By those coming here to give a statement, usually."
no subject
"Anyone the Lifestream touched when it came up from within the Planet infected the people. When you die you go to the Lifestream, and things can be created from the Lifestream. Shinra used it to build reactors to power a whole city, but truthfully they were killing the Planet as well." He still feels like sharing because he's doing it willingly.
no subject
"I see. Your people used the energy that fueled your planet. Sounds like your disease is a defense mechanism of your planet." Which may be something to take to a magical healer, really. Not a man carrying bandages and painkillers.
no subject
no subject
"Why are you telling me of this anyway?" In his own mind, no less. Jon is by no means a healer. He doesn't know any powerful healing magic or any particularly helpful magic at all. Doe his mind inspire that idea, by chance?
no subject
He shakes his head. "What's with the coffin?"
no subject
"I'm the Archivist, yes. I did work at the hospital because it is understaffed - That is all." More or less. That Jon is largely responsible for the various drugs used in the hospital isn't a detail he tends to share. "If you seek people with magical abilities that might be of use to you, I suggest either Billy or Altair. The world I come from is one that doesn't have cures for many deadly diseases, I'm afraid. And as for that-" He interrupts himself to point towards the casket "It leads to the Buried. A place that exists outside reality. The manifestation of the fear of being trapped, claustrophobia, being unable to breathe... I don't recommend going in there."
no subject
He'll have to seek them out. But he not on a first time meeting basis. It's a heavy topic to bring up to other people. Cloud's going to make sure to not touch the coffin so he crosses his arms in a way to keep his hands from things as he starts to walk about the cluttered office. "What about the mannequin?"
no subject
"The Stranger, or I Do Not Know You. It is the manifestation of the fear of the unknown and the creeping sense that something isn’t right. I assume it might be tied to a memory concerning the Unknowing. An attempt at a ritual that could have ended my world." He pauses there. "We... Blew it up along with a wax museum. Very disorienting."
no subject
There's a small puff to his lips as he realizes that the Archivist kept bringing up a fear. Cloud looks over at the Archivist. "Is there a reason for all the eyes?"
no subject
"Do you want to guess? A little hint: They are all watching you."
no subject
He looks at the mannequin biting his bottom lip thoughtfully. "Are you watching with them?"
no subject
Then there is a pause before he gives the actual answer "It's Beholding. Or The Ceaseless Watcher. The fear of being watched, judged or having your secrets known."
no subject
"Is there a reason for all the fears?" There has to be a connection now. Cloud had brought up his hand and started to count on his fingers how many times the Archivist had spoke of a fear and the meaning.
no subject
"There is. There are... Fourteen Entities. Dread Powers... You may... Call them Evil Gods. And they all seek to manifest in my world and reshape it to their liking. The Unknowing had been one such attempt to bring an end to the Earth I know."
(no subject)
(no subject)
(no subject)
Oh well. Guess the Unknowing gets a body horror warning
akira mixed with silent hill/evil within vibes
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw: death talks
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)