The Revival Project Mods (
trpmods) wrote in
revivalproject2020-07-10 11:00 pm
Entry tags:
Calibrations Waiting Room Mingle
WHO: ALL HE ROWS
WHERE: The Secret Tunnel, which has become the Calibrations Waiting Room (or was it always...?)
WHAT: Mingle log for literally anything you'd like to take place in the waiting room between sleep cycles during the event
WHEN: June 3 - July 10
WARNINGS: Please mark individual threads with warnings
For those that have heeded Ga Re's warning, the door within the secret tunnel - which looks suspiciously like the hatch to one of your shuttles - is wide open, waiting for you. You walk through... and the door behind you disappears. You’re now standing in a cavernous, cold, white waiting room. There are hallways leading off the main corridor with names above each. One of them has your name and will draw you toward it, inevitably.
And on the wall, in pink, running letters is written this single greeting:
‘Welcome to Calibrations’.
The secret tunnel has become a large waiting room with chairs, tables, and the same food dispensers available in the shuttles. There are also communal bathrooms - one for each gender - with several toilet stalls and shower stalls in each, including basic shampoo and soap dispensers, like you might find in a hotel. The water isn’t hot, so hopefully you don’t mind lukewarm showers. Somehow, at least, it never goes cold.
Branching off the main waiting room room are the labeled hallways. At the end of each short hallway is a door, with the same character’s name written on them. Anyone can enter any room, regardless of the name written on it. Everyone has their own room, though of course people can share. Each room has a simple bed (approximately queen-sized) and a set of drawers.
You can opt to spend time in your room or in the larger, common waiting room. (And if you do, you can thread it out here!) But every 16 hours, you'll feel a compulsion: You need to sleep. Right now. You find yourself going into your room (or someone else's, if you really want). But you’re drawn to the bed. You can’t help but lie down. And then, you fall asleep.
WHERE: The Secret Tunnel, which has become the Calibrations Waiting Room (or was it always...?)
WHAT: Mingle log for literally anything you'd like to take place in the waiting room between sleep cycles during the event
WHEN: June 3 - July 10
WARNINGS: Please mark individual threads with warnings
For those that have heeded Ga Re's warning, the door within the secret tunnel - which looks suspiciously like the hatch to one of your shuttles - is wide open, waiting for you. You walk through... and the door behind you disappears. You’re now standing in a cavernous, cold, white waiting room. There are hallways leading off the main corridor with names above each. One of them has your name and will draw you toward it, inevitably.
And on the wall, in pink, running letters is written this single greeting:
The secret tunnel has become a large waiting room with chairs, tables, and the same food dispensers available in the shuttles. There are also communal bathrooms - one for each gender - with several toilet stalls and shower stalls in each, including basic shampoo and soap dispensers, like you might find in a hotel. The water isn’t hot, so hopefully you don’t mind lukewarm showers. Somehow, at least, it never goes cold.
Branching off the main waiting room room are the labeled hallways. At the end of each short hallway is a door, with the same character’s name written on them. Anyone can enter any room, regardless of the name written on it. Everyone has their own room, though of course people can share. Each room has a simple bed (approximately queen-sized) and a set of drawers.
You can opt to spend time in your room or in the larger, common waiting room. (And if you do, you can thread it out here!) But every 16 hours, you'll feel a compulsion: You need to sleep. Right now. You find yourself going into your room (or someone else's, if you really want). But you’re drawn to the bed. You can’t help but lie down. And then, you fall asleep.

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"Tape recorder, tapes... Some medical supplies we may have no use for. A notebook." Of course the tapes and his recorder remain the most important pieces. "I feel like I shouldn't have bothered with pre-recorded ones. This place may give half of us claustrophobia anyway..." So why waste the few meals he has left.
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"I doubt we will have that luxury of being alone." Jon sighs with a note of disappointment and directs his attention to Tony searching his bag for what can only be drugs "Just try imagining this place filled with thirty people. Tensions are... Guaranteed." And where there are tensions, there waits a variety of underlying fears. "Now... Please. Stop searching my stuff? If you are looking for something specific... At least ask." Especially since most of what he has packed isn't labeled.
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With everything placed neatly on the notebook, Jon casts Tony a look that comes with a single, raised brow and Jon's adopted version of Tony's teasing tone.
"Do you want to guess what all these are?" It's not exactly his intention to chide Tony - Or to judge him.
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"Most of it is actually the same." He clears up after a short noise of fond amusement. "Simple painkillers. Repeated attempts at different dosages and half of them will make you very tired. It's... It's easily the only thing we will need here. And my resources are limited." Very much so, even. His free hand moves to pick up a different one of the plastic containers and offers it out to Tony "Trade. I need the ones you took."
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It's the finger holding his hand back that catches Jon's attention and he blinks once, then casts a quick glance over to his little assortment of drugs. He shrugs. "I... I originally wanted to work in that field? Studied for it. Becoming an archivist has never been something I aimed for, Tony. It just... Happened. I applied for the research job at the Institute not purely out of interest in the paranormal - I needed the money. And I hoped it would look good for future applications?" Then he simply remained stuck in research, unable to leave without even being aware of it. It's not the most fascinating story, really.
"And please don't worry about me sedating anyone here. I will only use those on myself."
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He manages to cut himself off before panicking for the sole reason of being pinned down. He knows he has no reason to be afraid of Tony. That Tony wouldn't harm him. He is just worried. Reminding himself of this, Jon exhales and simply gives a small shake of his head.
"I just- I don't want to be constantly awake, Tony. It's quiet. It's lonely. And all I do is think. Just thinking. Day in, day out. I would love to spend some of that time with you, but- It's not something I can ask of you the entire time." Is this an acceptable response? Jon doesn't know. He's still struggling to fully justify this to himself and he can see how it may upset Tony - Jon would be upset, too.
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"No, I..." He pauses for a moment, then exhales while setting his eyes back on the array of bottles. "I was afraid to try." Afraid to find out it doesn't work on him. Afraid to find another piece of his humanity gone.
Jon turns a rueful look back up at Tony "I'm sorry. I- Didn't mean to worry you." He probably just shouldn't have said a thing. Tony shouldn't have to worry about him. But he supposes it's nice that he does. That he cares enough to worry.
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One of his released hands comes to settle on Tony's knee on its own accord and Jon gives it a light squeeze while tilting his head up at Tony with a still somewhat muddled expression on his face "...are you trying to tempt me with the idea of Cayde dancing on a table?" Yes, that's an honest question. A question that is followed by a small groan and Jon's remaining hand coming up to pinch the bridge of his nose "And please, don't remind me of my uni days. Though I was probably the last person anyone sought to risk crossing paths with at night..."
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"Tony... We aren't all preoccupied with robot men." Is what he says with a small, underlying sigh while pushing himself back up into a sitting position, eyes falling down to where Tony is sitting on his legs and contemplating how to shuffle out of that little trap without thoroughly embarrassing himself, the comment to Tony's teasing guesswork somewhat absent-minded. "...and I was in a weird place back then."
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"It's called puberty, I know." Jon agrees, moving to sit next to Tony, prodding the man's arm closest to him in a wordless inquiry to make some room for the Archivist to tug himself away at Tony's side, maybe let him rest his head on his shoulder this time. Being pinned down or teased may not be high on his list at the moment, but he does appreciate the company - And the potential warmth. "Didn't help that my grandmother passed away at that time, to be fair. Let myself be... Talked into a few things you would laugh at me for. Yes, it included dressing up as space pirates to go on a stage in a pub late at night." No more details on that should be needed.
"If you ask weird... I would offer taking you through our artifact storage. Or introduce you to Helen." No, it's true. The really weird things of Jon's life are situated in his most recent years now. Everything else falls under growing up.
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Tony waved off the offer with the hand still holding Jon's glasses, not meaning to imply he had any interest in getting closer to Jon's weird job or friends. "I've been there," he said with certainty. "Don't think I'd like it any better with a different tour guide." And he would much rather find out about who was convincing Jon to play pretend for the masses. "See, you already know, space pirates are the height of entertainment. You don't think Cayde's a bit of a space pirate? Oh, you know how definitely is? I'll get Poe to do it. Have you met?" Another important realization, Tony's fingers plucking at Jon's hair insistently, "That's your type," because he hadn't answered that question.
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"I'm familiar with Poe." Jon confirms, his tone dropping a little to the idle side now that he has gotten comfortable "Not sure how much of a pirate he is, but he certainly is a pilot. But please, Tony. Only because I needed to pay for living in London doesn't mean I have much interest in any more space pirates in my life." He makes a small, remotely bemused noise. "...you get a lot of inappropriate offers when you put on some horrid makeup and point a false gun at a drunken audience, though." And that may be the reason why he had been glad to have gotten the job at the Institute back then.
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"Though I'm afraid I must reject your offer to serve as general entertainment for the assembled souls." Jon notes with his eyes back to where his hand rests on Tony's chest, his index finger drawing faint circles where it lies without the rest of his palm moving. "I'm good with entertaining you."
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