Lauri-Ell (
kree_soldieress) wrote in
revivalproject2022-05-09 12:38 am
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[Open] Calibrating To Earth Life
WHO: Lauri-Ell, Open
WHERE: Calibrations Room
WHAT: Calibrations Room
WHEN: Calibrations
WARNINGS: CW: Grief about a mother Lauri never knew
Calibrations Waiting Room
Here
Calibrations
The space is clearly an apartment of some sort. Comfortable and comfortably appointed. Some of the walls are bare bricks, or plastered walls painted in a similar color. One portion is clearly set up as a living room, with a green love seat oriented toward a flat screen television, and with a coffee table. On that table was a pile of pizza boxes, cans of sosa, bags of chips, and a remote control. It's perfectly set up for some television binging. Wonder what's on the tube.
Lauri-Ell herself is stretched out on one side of this loveseat, slouching and with one leg draped over the arm of the loveseat, an orange tabby cat sitting in her lap and purring as she pets it. Her attention is fully on the screen, as if she expects something of it, but she hasn't reached to turn it on.
Nearby is a bookshelf, atop which are two framed pictures. One displays a blonde woman who looks a bit like Lauri-Ell, smiling radiantly in the arms of a black man. Next to that is a photo of a younger version of the same blond woman, held in the arms of an older woman. There again is the familial resemblance, and there is more to Lauri-Ell and the older woman than there is to the blonde girl, especially since Lauri-Ell clearly has the woman's hair.
The room transitions into a kitchenette with only a bit of wall to mime at separation. There's no door, just an open space that is too wide for a door, too narrow for 'open plan' living. Near the far window, looking out on the streets of New York, is a kitchen table with a few chairs. Leaning against it rests Lauri-Ell's Hammer, begging for attention. Could it possibly be safely touched in this space, even if it can't in real life?
Finally the kitchen has pantries one can look in, which are mostly empty, and a fridge covered in photos. The place is rather empty, like the apartment exists for someone to live in, but that person isn't around as much as they could be. Perhaps that's exactly what it's like. But given nothing in here is of a scale suitable for Lauri-Ell, it's no doubt that this place isn't properly hers.
WHERE: Calibrations Room
WHAT: Calibrations Room
WHEN: Calibrations
WARNINGS: CW: Grief about a mother Lauri never knew
Calibrations Waiting Room
Here
Calibrations
The space is clearly an apartment of some sort. Comfortable and comfortably appointed. Some of the walls are bare bricks, or plastered walls painted in a similar color. One portion is clearly set up as a living room, with a green love seat oriented toward a flat screen television, and with a coffee table. On that table was a pile of pizza boxes, cans of sosa, bags of chips, and a remote control. It's perfectly set up for some television binging. Wonder what's on the tube.
Lauri-Ell herself is stretched out on one side of this loveseat, slouching and with one leg draped over the arm of the loveseat, an orange tabby cat sitting in her lap and purring as she pets it. Her attention is fully on the screen, as if she expects something of it, but she hasn't reached to turn it on.
Nearby is a bookshelf, atop which are two framed pictures. One displays a blonde woman who looks a bit like Lauri-Ell, smiling radiantly in the arms of a black man. Next to that is a photo of a younger version of the same blond woman, held in the arms of an older woman. There again is the familial resemblance, and there is more to Lauri-Ell and the older woman than there is to the blonde girl, especially since Lauri-Ell clearly has the woman's hair.
The room transitions into a kitchenette with only a bit of wall to mime at separation. There's no door, just an open space that is too wide for a door, too narrow for 'open plan' living. Near the far window, looking out on the streets of New York, is a kitchen table with a few chairs. Leaning against it rests Lauri-Ell's Hammer, begging for attention. Could it possibly be safely touched in this space, even if it can't in real life?
Finally the kitchen has pantries one can look in, which are mostly empty, and a fridge covered in photos. The place is rather empty, like the apartment exists for someone to live in, but that person isn't around as much as they could be. Perhaps that's exactly what it's like. But given nothing in here is of a scale suitable for Lauri-Ell, it's no doubt that this place isn't properly hers.
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Really she doesn't get how Tony fails to understand all of this.
"And Carol remains half-Kree, by the blood of our mother Mari-Ell. The others, however, wear the colors for Carol went to a Sorcerer to divide the power of the Weapon by magic, giving her a team. Those three are those she called to the duty with her. She was lucky only the Emperor knew. Our people would not have been happy. I think it suited Jessica best. I liked her. She complimented my arms many times."
Lauri-Ell, Accuser of the Alliance, sister of Carol Danvers, and holder of a crush on Jessica Drew.
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"Most things suit her. I think it's the hair. She's really got great hair," he muttered so they knew where their common ground was. It was a rare inch. "So, what, they're off to...Conquer space, while you're here having a pizza party?" he determined, not sure why Lauri-Ell hadn't made the cut for this team or where the rest of the Avengers were, and wandering back toward the couch to try flipping open one of the boxes.
I stg I will do the memory next tag. I just can't manage it on a phone tag.
"No, they go to clear my name. When I first met Carol she had been sent to find and judge the one accused of destroying the city I was stationed in. I was the only survivor. She determined I was innocent and needed to prove it, but given I was seen as a criminal, she defied the Emperor and left me here while she and the others went to capture a human man named Wastrel."
So she had been left behind.
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SHe hopes that the Emperor is actually telling the truth.
Though she did accuse and judge when her duty demanded it.
His question earns a brief sigh and then he nods.
"Yes, the only one. I awoke in the ruins, and as they thought I did it, I was attacked. I tried to keep them back. I did not wish to harm the other soldiers."
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He dropped onto the couch then, draped in the centre with his arms spread along the back of it and knees crossed to bounce his foot restlessly. "What happened to all of those people?" he felt like he didn't really want to know the answer.
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But that didn't matter because everything around them starts to fade away once he settles in. And he ends up between a half-transparent Lauri-Ell on one side, and an orange tabby cat (or so it seems) on the other side. And, on a nearby chair, the dream-Lauri-Ell.
The television comes on, to a mid-season episode of Real Bachelor of New York, and there's no denying it's one of those stupid dating reality TV shows. Lauri-of-then seems confused at first, with a questioning commentary directed to the feline, which she refers to alternatively as 'Beast' and 'Chewie'. The Lauri-Of-Now also starts to comment on it, as they move through the shows, clearly caught up in all that is going on. Her commentary is more... annoyed and prescient, as if she knows to warn the woman that the man is unworthy. It would be easy to lure her into the proper fight.
Only after she suggests pelting the man with spoiled meat and a knock comes at the door does the memory of the past fade, and Lauri actually is sitting in that other chair, and she looks annoyed.
"Those women deserved better."
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The show itself wasn't something that Tony had seen so much as he was aware of it. Or, more precisely, knew a few women who had been through the dating show process, so the show itself offered a kind of macabre autopsy of those relationships that he hadn't expected. And he could tell Lauri-Ell just how much some of them might have spent on their clothes just to be humiliated on camera.
"They've all got a much better chance at not being stuck there until the finale," he pointed out. "Get in, slam down a couple of 24 carat episodes, get a hundred thousand instagram followers out of it, get kicked off for plenty of time to promote your lifestyle brand."
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And she had failed.
The memories and show passes, though, and Lauri-Ell sighs, shaking her head.
"So they are doing this to make money? That... makes me sad."
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"Do you have much experience with love? Carol seemed to have some love, but I never had a chance to ask her or Sir Rhodey about their relationship."
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Looking past Lauri-Ell, eyes unfocused, he declared, "That makes sense," despite the jealous wound he could feel in his chest. Maybe because of it. It seemed almost ridiculous suddenly that they weren't together, that there had been some conspiracy to keep them apart. Had Tony been keeping them apart? "Ah--" he had to try to refocus, pushing away this nebulous guilt to cobble, "Love is--you have to earn it. Carol and Rhodey, they've got that in spades, they can probably...See right through each other."
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“Earn it,” she says, frowning. “Well, I do not believe that male earned the love of any of the Ashleys. I would be better for any one of them than he was.”
And yes, she says that with pride and posture. She’s… had a bit more confidence in this realization of hers.
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"I have no plans, just dreams."
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"Kree are not supposed to have dreams. I was not made to have dreams. I was created to obey and serve," she says with a sigh. "To wish to be more was always a... failing of my creation."
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"I do not mean it like that," she sighs, looking frustrated. "I hate what I was made to be for the Kree. I want to be something else. Something worthy of another's attention and affection."
Is that wrong?
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"Great," he decided as he went rummaging through the cupboards. "So, you were created to obey and serve yourself. One of my favourite pastimes, I've got to say, I mean, listen, weren't we all?" Unfortunately, this place seemed basically barren, like Carol only pretended to live here.
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"Not to obey and serve myself. But my superiors. I was designed to be a war leader. But I hate war. I don't want to be what they made me. I never wanted it. I wanted to read books. And look at flowers, And see the stars but not as we conquered. And I wanted to meet my famous sister. And now I want to protect my Emperor, and all my friends, and keep learning how to be more than I was made to be."
Was this truly so bad? To be like that?
"Why do you hate me, Tony Stark?"
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Maybe the difference between a plan and a dream wasn't an easy question to answer, he didn't have one prepared, either, and didn't know what would come out of his mouth if he was asked, so it was possible that this made it a challenging question. Not as in hard, as in aggressive, like he should probably apologize, but without knowing what exactly he was apologizing for and nothing to offer, he said instead, "Okay, it's--fine--forget I asked." He was frozen there a beat longer, feeling strongly out of place, before he unstuck to turn impulsively to the fridge to continue his search.
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