Tony Stark (
in_extremis) wrote in
revivalproject2020-09-26 08:38 pm
Entry tags:
- destiny: cayde-6,
- ffvii: reeve tuesti (crau),
- marvel comics: billy kaplan,
- marvel comics: tommy shepherd,
- she-ra: catra,
- star wars: cal kestis,
- the magnus archives: jonathan sims,
- voltron: keith (dfau),
- †: game of thrones: sansa stark (dfau),
- †: marvel comics: tony stark,
- †: mcu: wanda maximoff (dfau),
- †: star wars: ct-1409 echo,
- †: star wars: poe dameron,
- †: tmnt (2012): raphael,
- †: voltron: pidge gunderson
salon
WHO: Esteemed, invited guests (everyone).
WHERE: The greenhouse
WHAT: A party! And not the kind of crime that the Agrii commit. Come show them how it is done.
WHEN: During a very long and slow space trip.
WARNINGS: Mark your threads if you get into trouble.
pre-festivity...network?
[Over the shipwide broadcast system that everyone is lucky Tony has not made more liberal use of, accompanied by gently dimming lights as though signalling intermission was coming to an end, and Act II was about to begin.]
Your attention, please. Please give me attention. You're not doing anything important, I know you aren't, so if you would kindly make your way to the quote-unquote 'Green Room', the rest of us are waiting for you.
Wear something that makes you feel delectable.
[Did he have to say it like that? Of course, he's trying to set a mood.]
the event
The atmosphere of the Green Room, which had at other times been a battleground, and a quiet resting place, was what could be called a soiree. Some of it was magic, brought to brief reality by Billy to disappear as the get together came to an end like carriages into pumpkins as their clock ran out, and other things were altogether different kinds of illusions. Like the tree Cayde had worked to fell, hauled up off of the ground to brace in the branches overhead, its dying boughs slouching down toward the ground in winding tendrils that were strung with glittering lights, a fragrant curtain around the area conveniently cleared by the destruction of the tree to give plenty of room to pull a partner into a dance. The music, naggingly familiar to those who called Earth home but distinctly synthetic, was playing through the broadcast system, loudest near the clearing and progressively softer the further away from this hub, but continuous throughout the ship until it felt like a whisper from another room at the farthest points like the cargo bay.
The noise competed slightly with the raucous beckoning of the karaoke machine installed near one end of the Green Room. This corner felt like it hadn't quite received the dress code, dotted with balloons and nearest to what could be described as a sundae bar, with what looked like all of the right textures for a very indulgent ice cream experience. The Agrii were more than happy to help with the food, so be prepared for a less obvious flavour profile.
More (potentially?) savoury options were offered throughout the Green Room, in no centralized location but spread across tables that had obviously be borrowed and dragged from throughout the ship, flanked by equally mismatched seating, flat-enough surfaces, or piles of linens and pillows where the ground was less even. Some of these tables had a datapad left on them, locked to a curious list that could only be checked off and not otherwise tampered with, at least for those not particularly technically inclined. Each item seemed to describe a person, all following a similar format in various levels of complexity, starting simple with, 'Someone with hazel eyes...'
One of these datapads, on a table tucked under a heavy lattice of vines and under the drape of what looked like approximately 40 metres of a sheer silk, started the evening much more blank, only marked at the top with a bold WHAT WE KNOW. That was a broad statement. Surely, everyone had a little of something to contribute to an article like that.
WHERE: The greenhouse
WHAT: A party! And not the kind of crime that the Agrii commit. Come show them how it is done.
WHEN: During a very long and slow space trip.
WARNINGS: Mark your threads if you get into trouble.
pre-festivity...network?
[Over the shipwide broadcast system that everyone is lucky Tony has not made more liberal use of, accompanied by gently dimming lights as though signalling intermission was coming to an end, and Act II was about to begin.]
Your attention, please. Please give me attention. You're not doing anything important, I know you aren't, so if you would kindly make your way to the quote-unquote 'Green Room', the rest of us are waiting for you.
Wear something that makes you feel delectable.
[Did he have to say it like that? Of course, he's trying to set a mood.]
the event
The atmosphere of the Green Room, which had at other times been a battleground, and a quiet resting place, was what could be called a soiree. Some of it was magic, brought to brief reality by Billy to disappear as the get together came to an end like carriages into pumpkins as their clock ran out, and other things were altogether different kinds of illusions. Like the tree Cayde had worked to fell, hauled up off of the ground to brace in the branches overhead, its dying boughs slouching down toward the ground in winding tendrils that were strung with glittering lights, a fragrant curtain around the area conveniently cleared by the destruction of the tree to give plenty of room to pull a partner into a dance. The music, naggingly familiar to those who called Earth home but distinctly synthetic, was playing through the broadcast system, loudest near the clearing and progressively softer the further away from this hub, but continuous throughout the ship until it felt like a whisper from another room at the farthest points like the cargo bay.
The noise competed slightly with the raucous beckoning of the karaoke machine installed near one end of the Green Room. This corner felt like it hadn't quite received the dress code, dotted with balloons and nearest to what could be described as a sundae bar, with what looked like all of the right textures for a very indulgent ice cream experience. The Agrii were more than happy to help with the food, so be prepared for a less obvious flavour profile.
More (potentially?) savoury options were offered throughout the Green Room, in no centralized location but spread across tables that had obviously be borrowed and dragged from throughout the ship, flanked by equally mismatched seating, flat-enough surfaces, or piles of linens and pillows where the ground was less even. Some of these tables had a datapad left on them, locked to a curious list that could only be checked off and not otherwise tampered with, at least for those not particularly technically inclined. Each item seemed to describe a person, all following a similar format in various levels of complexity, starting simple with, 'Someone with hazel eyes...'
One of these datapads, on a table tucked under a heavy lattice of vines and under the drape of what looked like approximately 40 metres of a sheer silk, started the evening much more blank, only marked at the top with a bold WHAT WE KNOW. That was a broad statement. Surely, everyone had a little of something to contribute to an article like that.

no subject
"I don't think about the future." He admits into that comfortable space of safety. "I fear it. I fear the ritual I won't be able to stop and what it might do to my Earth. And I fear... I fear not knowing what it is that- That I am becoming." And aren't those things formidable reasons to not even consider having a family. Not that any employee of the Institute Jon happens to know seems much of a family person.
Though it's Tony's admission that rather draws his attention at that moment. There is something easier, something that doesn't entail monsters and magic and rituals. Something entirely human once one gets around to think past the part where there are different versions of the same person apparently living different lives. "Were you angry at yourself?" Jon prompts gently. Because it could be possible. Seeing this other Tony having achieved something Tony wishes for himself... Fear of missing out, that's a thing, after all.
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"That's the beautiful thing about the future," he pointed out, "We're still building it." The past was far more worth dreading, Tony thought, because it was unmalleable. "So, maybe it could be terrible, and terrifying, but you're still in control of what could happen. It's inevitable, and it's eternal." It should have been easy then for Tony not to hate himself over one missed chance. But it wasn't like he had ever been good at taking advice.
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That's a telling enough answer, even with Tony moving away from the topic. Or maybe because of it. For Jon it's reason enough to draw his arms a little tighter around Tony's neck, effectively pulling him down to his own level just a little bit.
"...right." is what Jon mutters once before his voice picks back up, a certain pensiveness remaining in its tone. "Then lets build our own future. At least- Hypothetically. I'd like a future without monsters. A future where- One where you aren't angry with yourself." He exhales slowly, producing a low humming sound before going on. "Since you want kids, which-" And that's a tiny, fond chuckle right there. "Right. I can see that. You'd spoil them and teach them the worst pranks. That's fine. We just adopt some. Nothing wrong with that. I was adopted myself- By my grandmother, but... I think I would like a cat."
Is he rambling? Maybe a little. Rambling about a hypothetically happy place that might never exist.
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That hypothetical future didn't seem like such a big one while facing the vastness of space and the impassively shining stars that Tony didn't recognize winking through it, like it was almost manageable, despite the monsters. "Multiple kids, just the one cat," he summed up with a skeptical smile. "Not that we'd have room for any more, I'm not the settle down in the country type, but that's not a bad start. Future's not so bad."
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Tony meets no resistance from Jon as he shifts their position, and Jon finds himself blinking twice at the reflection before them, becoming instantly aware just how long it has been since he has actually seen himself. No new scars, at least.
His attention moves over to Tony's reflection and from there over his shoulder to Tony himself, a single brow of his moving up. "Have you ever lived outside of a city? Out in the country...?" He wonders out loud, but appears happy that his little play of thought has been accepted this well. Maybe they can expand that little mental picture a little further. It's a nice distraction.
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At least the laugh helps ease the initial surprise and takes the edges off the look of indignation Tony has earned himself and the tiny pout at being set back down is a forgiving one. "It's fine." Jon reassures and pats one of the hands that have just picked him up. "I'm aware of my... Stature. And I... I guess I forgot that there are different expectations between American and British countrysides." He further admits with a little grin. "But you are not wrong. I never lived outside a city and I'm not sure how well I would do against wild... Bears, I suppose?" A tiny chuckle underlines that guess before Jon settles with a little sigh. "I actually grew up at the ocean. Would have liked to visit is again. London had none of that."
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He couldn't just ignore another assumption he had made, though, which was that Jon had spent his whole life in London, and that was part of his strange travel-aversion. Tony's guess might have been more delicately put, because he had to ask, "Was that with your parents, the ocean?"
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"Grandmother." Jon corrects easily. "Though I was born in Bournemouth, so I suppose I lived there with my parents while they lived as well. I was too young to remember them, unfortunately. But I lived there until I left to study in London and during that time..." There is a brief pause and Jon offers half of a shrug. "My grandmother passed. That... It hit harder. Left me in a weird place. And I don't necessarily mean London by that." And while Jon falls silent after that for a moment, he maintains a little smile nonetheless as he drifts back to the base topic. "We can look at the villages near one of the larger cities. Overall quieter, but not entirely dislocated. Having everything accessible is a good thing." A pause, then a curious: "So... Hank and Jan. Who are they?"
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"Giant-Man and the Wasp, you know, from the..." he tried to remind Jon, bringing their hands up together to gesture vaguely at his head, where Jon had seen the pair as Captain America thawed in front of them. "They retired after, ah..." This, Tony realized, was one of the few things that made the Avengers suddenly not his favourite topic, but it did bring them in a meandering circle, so he tried to parse it down for Jon. "Wanda, the Scarlet Witch, in my world, had Billy and Tommy at the mansion, with the Avengers. It was where I grew up, my house, so it's not like--it was a home, you know, Cassie was there half the time after she was born--the gal that Billy, in the diner--okay, so, the mansion. Wanda lost the twins then, though, it was just--some stupid magic shit, you know, typical, but that's hard on you, so, so, not a home anymore, not for her. It was destroyed, she--I don't think she wanted to remember any part of it anymore, so Avengers Mansion was destroyed. And it really felt like we did this, you know, the team grew up there together, too, and it was because of us that that even happened. That day, it wasn't just the house, our friends had died, Wanda was gone, it really was the end of the Avengers. Hank took it really hard, he had to get as far away as possible, so he took a faculty position over in your territory, and Jan went with him."
He finally took a breath, frowning, hoping he managed to at least halfway present what he had been trying to express about the kids, the house, and the team, then finished, "So, they're already doing it, cushy academic job, probably got a cat 'n everything, we've got an in."
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He gives a short nod at the reminder, not having forgotten the memories he has been treated to. And this is turning into one of those rare times that Tony is telling him more, so Jon won't interrupt, but listen. Wanda, yes. There is a Wanda here, but apparently not the same Tony, Billy and Tommy know from their version of Earth. And he remembers what he has been told about Cassie. And he remembers what he has already learned about Billy and Tommy. This is a different angle of the story. A different view on a catastrophe...
It's another, a very slow nod that Jon gives this time, then looks over his shoulder up to Tony and reaches a hand up and behind Tony's head to gently nudge it down and lean his own temple against Tony's cheek in a wordless display of comfort and gratitude. "I'm sorry that happened." All of it, really. From Tony losing his parents to having his home destroyed and friends die. Though Jon knows better than to go into those details he knows Tony doesn't wish to dig into any further. He has already laid out a very comprehensive picture and chewing on it further might rather make him reluctant to share anything else in the future.
And so Jon leaves it at that.
"You are right, though." He says, instead, his voice more of a soothing mumble with their faces kept close. "I think I would like to meet them. See how regular life is treating them."
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The gesture had made him close his eyes, trying to keep his restless hands calm for a moment, so his own laugh was a surprise when he replied, "I hope you're not implying you're going to have a 'regular' life. Please." He swept down to scoop Jon up behind the knees then, no longer in control of this fantasy for Tony to make some declarations: "I'm buying you a castle, of course, if you insist on raising your cats and kids in England, the place is lousy with them. Excalibur will probably recruit you, to deal with the next existential threat, it'll be a whole thing, none of them have ever liked me much, I have some, ah, misaligned affiliations. There will be some very tense and, I'm sure, very magical dinner parties, but you'll be invaluable so we'll all have to put up with each other. At the very least, you could use the diplomatic passport, we're keeping a place in New York. Or are we getting married? You'd hate the wedding. I'm not prepared to compromise on that." By then, he had dipped Jon back low again with a warning grin, his legs in the air to swing them down as Tony spun them together on his heel.
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Suddenly being picked up like that? Yes, that's a bit of a surprise for Jon and he instinctively holds onto Tony as the man goes on to add his own view to their little play. It's nice that even despite sharing such parts of what has happened the mood hasn't been soured by it and Tony is still capable of laughing and playing along, so Jon has no reason to hide his own smile and the amusement towards Tony's words.
"Our kids and our cats, Tony." He correct with a playful jab to Tony's shoulder, then tilts his head curiously, decidedly not freaking out at the posture Tony is keeping him. It's fine. He trusts Tony not to drop him. "Now I'm not sure whether to be more inclined to ask how King Arthur's sword would go about recruiting me, or..." Jon pauses, making a deliberately thoughtful face for a moment, before giving a small shake of his head. "No. You know what. Rather tell me about this wedding you said I would loathe. Didn't think you'd have specific plans for that. And let's be honest: If Excalibur doesn't like you, I may be hard pressed to be in favor of it."
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Okay, he wanted to talk about the wedding, not the strange anarchy he had apparently been blissfully living in all his life, so Tony cleared his throat, nodding, far more important, taking this brief stumbling block as his chance to stop swinging Jon around like a ragdoll and slouch against one of the thick trees holding up their canopy instead. "First of all, of course I have plans, please," he said, as though this was a very obvious and natural trait, and it was perfectly normal to plan a wedding at the first hint that someone had expressed an interest in Tony. If asked, this was just one of many contingencies, that was what he did, he was a futurist and had to plan for the future, he just happened to plan a lot of weddings. He was choosing not to think about it. "Second of all, look at me, I'm not doing some small, intimate affair bullshit, you're going to have to go out and make more friends explicitly to invite to this; I'm talking, custom built venue big, the Queen is going to be there, I'm carrying you out of there on international television," he explained, and grinned, eyebrows raised with a question he already knew the answer to; Jon was not going to love that.
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"Jesus Christ!" He exclaims with an actual little laugh that settles into a somewhat challenging smirk, not nearly appearing as disapproving as Tony has anticipated, perhaps. Though then again, Jon hasn't exactly been displaying any signs of stage fright before, has he? He isn't afraid of being the center of attention or putting up a dramatic show. And most importantly, perhaps, he isn't afraid of public displays or declarations of affection. Which, with what he has observed from Tony so far, makes him wonder just how grand of a thing Tony really would be willing to make such an event.
And so he lets the challenge expand from his smirk to his look. "I will hold you to this, you know." Then, almost as an afterthought and while putting a hand to the side of Tony's face appreciatively he adds: "And I get to pick the music. Some of it, at least."
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The expression was effectively schooled for Tony to very seriously deny Jon's single claim for control, despite tipping his head fondly into Jon's hand, "No. Not happening. That can be our first argument of the day, it'll be great, we'll make the band incredibly uncomfortable and get very close to calling the whole thing off. That'll happen twice more, by the way, between four other smaller fights, I told you, I've planned the whole thing."
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"Really now." Jon responds with a raised brow to Tony's refusal to let him have a say in the matter and almost looks about ready to pout. "If you're also planning our arguments, then I will politely request a script to study in advance."
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"Ah, now, that," Tony said, free hand up grandly as though the other wasn't crawling up under Jon's arm, then wafting over to tip his chin up to meet Tony's wolfish grin. "For that kind of service, there will be the small matter of my fee."
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"...please remind me to never try negotiating with you." Jon finally manages after an exhale of hot air and putting his coherence back together.
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Which, of course, has its very own charm. And as tempting as it is to simply give in to it, Jon manages to hold onto himself long enough for a deliberate exhale and a vaguely raised index finger to support the slightly stubborn set of his jaw.
"I... I said I won't negotiate, Tony. I will still argue if whatever I want exceeds certain boundaries."
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Roses and velvet. Now that one sounds awfully over the top, maybe a little cliché, even. But the closeness of Tony's deep voice and the amusement in it reduce Jon's reaction to a content little hum. It takes him a bit of effort to open one of his eyes again which he hasn't even been aware to have closed by the time Tony mentions flirting with Jon's best man to cause the second fight. Jon doesn't quite manage to hold back that chuckle. "So I'm less picking my best man but rather your second opponent."
And knowing his options, Jon can see that neither of them would take kindly to Tony flirting around in the first place.
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But that's an odd trail of thought to briefly detour on. It's not one to linger for sure, that voice so close to his ear sending shivers down Jon's spine happily reminds him of that. That bit of bemusement still hasn't left his voice, though. "You may be the first person ever to suggest people were to adore me. Or do I have to wonder what it is you have been telling them about me?"
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