Tony Stark (
in_extremis) wrote in
revivalproject2023-10-09 11:42 am
Sepsis
WHO: The Archivist, Captain America, the Wasp, and...Tony
WHERE: The Upside-Down, downtown Temba
WHAT: Tony checks out the gates, makes some mistakes
WHEN: Stranger Danger--AFTER the gates open, Oct 11-12th
WARNINGS: Event warnings (blood, mouth related body horror, sentient vines/tentacles, choking, 'animal' attacks), Tony warnings (alcoholism, suicidal ideation), Jon warnings (eye horror, no butt).
a. the library [for Jon]
Iron in the air could have explained the red skies, and the magnetic reaction. It could have even explained the curling, blackened plants around the foundation of the department store. Iron could be a poison. From above Tony came a warning cackle, making him glance up anxiously, searching for the beating wings of those things that had come to roost on the chimney of the forge, then decide he didn't have to wait to find out how many of them there were. He could get out of sight instead, and duck inside.
It seemed colder yet in the dark behind closed doors, and Tony scolded himself for not bringing a flashlight. He pulled his scarf up around his head for some comfort, tight to his ears and making his still carefully slow breathing sound like a wail that would draw the creatures straight to him. He held his breath, listening intently for any sign that he had been spotted, eyes straining in the low light to scan the abandoned shelves for any movement. It was just when he was deciding that he'd rather face some flying horror than the dark that he realized the crimson gleam reflecting so subtly off of tarnished and dusty cups and picture frames was not from some crack in the roof letting in the tainted sunlight.
There was a wound in the wall. Split through the stone and glowing, radiating its own sickly light, framed with slick, arterial tubes. It looked like an infection in the beams and plaster. Maybe it had started as a fracture from the earthquakes, but now it was a hole that should have let Tony see through to outside. Instead, it kept going.
It was even colder on the other side.
Almost everything else was the same, if Tony had to rationally quantify it, which of course he did in a running list constantly at the back of his mind while he moved. He knew exactly where to go, for example, to find a carefully packed bundle of survival equipment, including a flashlight to correct his earlier mistake, and cast the beam around the welcome centre to confirm it was the same dimensions, the same arrangement of burnt out lights, even the same camera mounted in the corner though it watched Tony with an unseeing eye. It was the infection that made any difference, mapping the city with those swollen arteries, tainting the air enough to make Tony wrap his scarf over his mouth as he slipped back through the square along the dry fountain, and choking out any sign of life. The trees were dead. The few people that Tony had expected to try to avoid as he made his way through the streets were gone. This city was empty.
To Tony, it was the library where this was the most evident. Jon's very presence that had become such an oppressive force that it had permeated the concrete slab was gone; a power so invasive that Tony's skin crawled the moment he crossed the threshold now leaving these halls feeling starkly empty and expansive. The walls were at least closer as he made is way down to the basement, intending to pass straight through to his workshop and the equipment inside. He paused at the door to the bedroom, his hesitation fractionally brief in his conviction that he was entirely alone, then picked his way carefully around the vines to climb into the hammock that hung there, abandoned.
The relief in the familiar comfort was so immediate and foundation deep that Tony considered he might have been dreaming. That this was a premonition, of what the city would be like after he finally succeeded, and gotten everyone home or on their way, and he was left to watch the city crumble on his own. He wouldn't be able to maintain the power grid, or the water processing alone; he probably couldn't manage the greenhouse, but a few plants to keep him alive enough to watch over the certain end of this miserable experiment. It wasn't so terrible, even alone, if he could be surrounded like this with the relics of the brief joy he had found here. He needed a drink.
The moment his eyes slitted open he saw the movement; a shimmer of dust knocked loose from the ceiling near the door. Tony kept still, watching its slow descent, feeling the anxiety ratchet slowly up his spine again until it was abruptly a taught, singing wire as the second one came; directly above him, it was easier to hear the distant thud that precipitated the shower of debris, and then the creak of the floorboards. Something had been watching his journey across the city, and it had caught up to him.
In that same room where the hammock barely swung with dying momentum, and simultaneously impossibly far away, the lights flickered and buzzed erratically. When they finally stopped, their faulty guttering jumped to the hall, dancing with the crackle of a live wire from one bulb to the next, making toward the stairs in a slow, waltzing rhythm. The lamp at the bottom of the staircase buzzed, pulsing with a held breath of anticipation, the light dim like the filaments were on the verge of burning out.
b. the garden [for Steve and Jan]
What had started as open, empty streets were becoming unavoidably populated. The beasts that roamed there must have felt similarly closed in, occasionally breaking in snarling scuffles between them, or bursting into cacophonies of Jurassic cries that left swarms in the sky scattering. More of them were going through those glowing gates, especially at night when the noises all seemed to swell and Tony could hear them through the door of his workshop. The distraction slowed his already pessimistic work, his shoulders tight and hair on end, listening for the first sound that came too close. He had to seal those wounds, stop the infection from spreading into the city that was still alive, and stop the tide of those creatures that poured out to terrorize whoever was on the other side. Nothing seemed to effect the torn walls, though. The closest Tony had managed so far was triggering the alarm that brought the snarling and screeching down on him, a jolt through the arteries like he was the virus that needed to be cleansed. The argument felt increasingly convincing.
What he didn't properly anticipate was the traffic moving in both directions. The creatures pouring out should have been an effective detriment to anyone considering going in, like some idiots. What he didn't expect to hear was a very human shout, the thumping and clattering not a feral chaos of teeth and nails in hot, quick strikes to gain territory. Tony's busy hands stilled as he strained to listen like he hadn't been the entire time, eyes up on the ceiling like he could make out some detail of this new configuration of fight through the boards. That was definitely a man. What kind of asshole had walked into this nightmare?
WHERE: The Upside-Down, downtown Temba
WHAT: Tony checks out the gates, makes some mistakes
WHEN: Stranger Danger--AFTER the gates open, Oct 11-12th
WARNINGS: Event warnings (blood, mouth related body horror, sentient vines/tentacles, choking, 'animal' attacks), Tony warnings (alcoholism, suicidal ideation), Jon warnings (eye horror, no butt).
a. the library [for Jon]
Iron in the air could have explained the red skies, and the magnetic reaction. It could have even explained the curling, blackened plants around the foundation of the department store. Iron could be a poison. From above Tony came a warning cackle, making him glance up anxiously, searching for the beating wings of those things that had come to roost on the chimney of the forge, then decide he didn't have to wait to find out how many of them there were. He could get out of sight instead, and duck inside.
It seemed colder yet in the dark behind closed doors, and Tony scolded himself for not bringing a flashlight. He pulled his scarf up around his head for some comfort, tight to his ears and making his still carefully slow breathing sound like a wail that would draw the creatures straight to him. He held his breath, listening intently for any sign that he had been spotted, eyes straining in the low light to scan the abandoned shelves for any movement. It was just when he was deciding that he'd rather face some flying horror than the dark that he realized the crimson gleam reflecting so subtly off of tarnished and dusty cups and picture frames was not from some crack in the roof letting in the tainted sunlight.
There was a wound in the wall. Split through the stone and glowing, radiating its own sickly light, framed with slick, arterial tubes. It looked like an infection in the beams and plaster. Maybe it had started as a fracture from the earthquakes, but now it was a hole that should have let Tony see through to outside. Instead, it kept going.
It was even colder on the other side.
Almost everything else was the same, if Tony had to rationally quantify it, which of course he did in a running list constantly at the back of his mind while he moved. He knew exactly where to go, for example, to find a carefully packed bundle of survival equipment, including a flashlight to correct his earlier mistake, and cast the beam around the welcome centre to confirm it was the same dimensions, the same arrangement of burnt out lights, even the same camera mounted in the corner though it watched Tony with an unseeing eye. It was the infection that made any difference, mapping the city with those swollen arteries, tainting the air enough to make Tony wrap his scarf over his mouth as he slipped back through the square along the dry fountain, and choking out any sign of life. The trees were dead. The few people that Tony had expected to try to avoid as he made his way through the streets were gone. This city was empty.
To Tony, it was the library where this was the most evident. Jon's very presence that had become such an oppressive force that it had permeated the concrete slab was gone; a power so invasive that Tony's skin crawled the moment he crossed the threshold now leaving these halls feeling starkly empty and expansive. The walls were at least closer as he made is way down to the basement, intending to pass straight through to his workshop and the equipment inside. He paused at the door to the bedroom, his hesitation fractionally brief in his conviction that he was entirely alone, then picked his way carefully around the vines to climb into the hammock that hung there, abandoned.
The relief in the familiar comfort was so immediate and foundation deep that Tony considered he might have been dreaming. That this was a premonition, of what the city would be like after he finally succeeded, and gotten everyone home or on their way, and he was left to watch the city crumble on his own. He wouldn't be able to maintain the power grid, or the water processing alone; he probably couldn't manage the greenhouse, but a few plants to keep him alive enough to watch over the certain end of this miserable experiment. It wasn't so terrible, even alone, if he could be surrounded like this with the relics of the brief joy he had found here. He needed a drink.
The moment his eyes slitted open he saw the movement; a shimmer of dust knocked loose from the ceiling near the door. Tony kept still, watching its slow descent, feeling the anxiety ratchet slowly up his spine again until it was abruptly a taught, singing wire as the second one came; directly above him, it was easier to hear the distant thud that precipitated the shower of debris, and then the creak of the floorboards. Something had been watching his journey across the city, and it had caught up to him.
In that same room where the hammock barely swung with dying momentum, and simultaneously impossibly far away, the lights flickered and buzzed erratically. When they finally stopped, their faulty guttering jumped to the hall, dancing with the crackle of a live wire from one bulb to the next, making toward the stairs in a slow, waltzing rhythm. The lamp at the bottom of the staircase buzzed, pulsing with a held breath of anticipation, the light dim like the filaments were on the verge of burning out.
b. the garden [for Steve and Jan]
What had started as open, empty streets were becoming unavoidably populated. The beasts that roamed there must have felt similarly closed in, occasionally breaking in snarling scuffles between them, or bursting into cacophonies of Jurassic cries that left swarms in the sky scattering. More of them were going through those glowing gates, especially at night when the noises all seemed to swell and Tony could hear them through the door of his workshop. The distraction slowed his already pessimistic work, his shoulders tight and hair on end, listening for the first sound that came too close. He had to seal those wounds, stop the infection from spreading into the city that was still alive, and stop the tide of those creatures that poured out to terrorize whoever was on the other side. Nothing seemed to effect the torn walls, though. The closest Tony had managed so far was triggering the alarm that brought the snarling and screeching down on him, a jolt through the arteries like he was the virus that needed to be cleansed. The argument felt increasingly convincing.
What he didn't properly anticipate was the traffic moving in both directions. The creatures pouring out should have been an effective detriment to anyone considering going in, like some idiots. What he didn't expect to hear was a very human shout, the thumping and clattering not a feral chaos of teeth and nails in hot, quick strikes to gain territory. Tony's busy hands stilled as he strained to listen like he hadn't been the entire time, eyes up on the ceiling like he could make out some detail of this new configuration of fight through the boards. That was definitely a man. What kind of asshole had walked into this nightmare?

no subject
no subject
"It's probably just the storm." He assures the mothcats, earning himself the attention of at least some of them. "Guess I have to ask Tony to check the wiring anyway once this is over. Pretty sure the lights shouldn't be doing this. Even during a storm." Jon pauses a moment and the Countess comes fluttering up to him. "You wonder where he is as well, don't you."
no subject
The flashlight hit the ground before the shards of the door made their full descent, and it went rolling across the floor until it was halted by a thick vine roping across the room, where it was left shining benignly down the long hall. In the dark behind it, Tony's retreat was a rapid few steps then screech of metal on the cold floor as he bumped into the desk, and groan of protest from the wood as he vaulted over it, scattering papers and sliding across a tape recorder to drop down and press himself into the black void underneath. He clasped a hand over his mouth and tried to listen past the pounding in his ears as heavy footsteps thumped ponderously down the stairs.
no subject
But Jon notices the light less and steps back to the desk, picking up the recorder with a scowl that then gets directed at the ceiling. "If you're trying to tell me something, you have to be clearer!" He announces and turns the recorder back off before lowering his voice again. "It normally gets blocked out by the storms..."
no subject
That was a normal place to hear Jon's voice. Was it still on? Abruptly, before the tape recorder could make any more noise and lure the alien foot toward him, Tony flung a hand out and clicked the first button he touched.
no subject
Jon huffs and scowls at the device. The mothcats have all gathered on and around the desk, inspecting everything thoroughly. "I can't even find Tony. If you want me to do something for you, you have to do something for me first: Find Tony. Let me know he's okay." Jon growls and puts the recorder back on the table.
no subject
In the din, Tony snatched up the tape recorder again, bringing it so close that his nose was pressed against it and he could hiss under his breath, "Jon?" He was not completely convinced of his sanity, but he was determined that there had to be some logic to the exact way he went crazy, and even if his brain was a pool of slag he was not confused about where he was. "I'm right here," he might have been desperately telling both himself and the Jon he was pretty sure was some kind of real, even if he only existed in the tape recorder. Which was possible. They did just...appear because of him. Frantic to make some sense of this, he tried pressing several buttons, possibly recording himself for the object's convenience, repeating, "I'm here."
no subject
Jon waits for the recorder to settle down, considering what may be happening. By all rights the Eye shouldn't be reacting like this. It isn't meant to understand what's happening. The most plausible thing Jon can currently think of is this being one of the ghosts, the apparitions they all see every storm, to try and make contact? Are these specters in the end more than images drawn from their memories?
"Okay." He says at last. "I- uh- I suppose you can hear me. So..." His fingers glide over the recorder's buttons. "If that's true, press fast forward, please."
no subject
no subject
So whoever is using the recorder to communicate with him understands him. That's helpful.
"Okay." Jon nods once. "Are you one of the-" He starts voicing his next question, but then the recorder starts tapping out a rather frantic rhythm which catches Jon by surprise. "W-wait! No- Wha...?" He stumbles over his own words but after a moment catches on. Which is when the flickering of the lights in the hallway picks back up again as well with the mothcats yet again being drawn after the andering lights. Jon remains with the recorder, however, frowning down at it.
"...S.O.S. ...?" He wonders aloud at the code only someone from Earth would even know. "Can you tell me who you are?"
no subject
The voice was getting further away, Tony did not enjoy realizing, because he should have known before now that the recorder probably wasn't talking to him, and he had just fled from some other source of Jon. He tipped his head back against the wall, eyes up at the ceiling with a frustrated plea for answers, like why Jon didn't know who he was talking to.
This city must have still been connected to the one that Tony had left. He hadn't gone far, after all. Those glowing doors must not have been the only way to get through.
It was a very slow and tedious process to convince the tape recorder to tap out T-O-N-Y while a monster grew restless in the room next door.
no subject
Though he does have a bit of a record of those he cares about simply vanishing. Quite literally at times. But there is no way Tony will end up being swallowed by the Lonely. There just- It's not something that's going to happen.
At least Jon hopes so...
no subject
Tony held his breath, watching through the slit of the door, and listening for the thumping of feet above him as the beast went galloping across the library, knocking over bookcases and clawing at the walls. This must have been as good of a chance as any for him to come creeping back down the hall, trying not to disturb anything to make any noise, until he could very gently retrieve the flashlight. Eyeing the staircase nervously, he tried to swing the light around, searching the corners of the room for any sign of Jon beyond his voice. T-O-- he started tapping again as the dust came shuddering loose from the ceiling over his head, like maybe that would summon Jon closer, realizing as he did that this wouldn't have been the effective way to seduce Jon under normal circumstances. S-O-R-R-Y he revised, because he didn't really know what was. Coffee? Was the coffee machine here, and could he make it more quietly than the buttons of the recorder clicked?
no subject
"What are you apologizing for?" Jon asks, his eyes remaining fixed on the recorder. That's something that needs to be clarified first, obviously. At least in some way this already feels like he is actually talking with Tony.
no subject
T-O-O-M-U-C-H he eventually produced, which might have been the real answer anyway; he did demand a lot, like dragging Jon into this situation that he didn't even understand, and didn't offer much in return. C-A-N-T-S-E-E he tried then, only realizing part way through how strange it was that Jon also couldn't seem to see what was happening. Seeing was kind of his thing. Belatedly, Tony added ?-?-?
no subject
"Too much of what?" Jon asks the recorder before the second resonse comes in only to add to a collection of half-sentences that make little sense. "Why can't you-" Jon starts another question but pauses when the question marks are added. "You mean me? W-well, no. I can't? I can't see anyone. Can you... See me?" He asks with a frown, looking around.
no subject
H-E-A-R he eventually had to commit and answer, and just tapping that much out was already annoyingly laborious. He glared at the buttons, trying to come up with the shortest possible explanation for where he was, what was about to eat him, and what may or may not have been a thick enough barrier between them to save Jon from the same fate, if that really was Jon. If it wasn't, did it matter what Tony said? H-E-L-P he tapped out so slowly, hands shaking by the third letter and the clot of his breath in the air blooming thicker as his face got hot, and he gave a frustrated scrub of his burning eyes against his shoulder.
no subject
"How?" Jon asks. "How can I help you? I don't even know where you are." He casts a look around in wonder, his eyes scanning the various mothcats in their various spots, acting more restless than usual. Maybe they can see whoever Jon is talking to after all. At the very least they seem to sense something.
no subject
no subject
Jon exhales as he makes a decision. "Tell me where exactly yu are. I will come and get you. The library is safe." A pause. "Ominous, but safe. M-maybe that is why it's safe, but- None of the monsters are here."
no subject
no subject
"Please give me a location where I can look for you."
no subject
no subject
When there still is no reply, Jon sighs, his attention being drawn to the yet again flickering lights nearby. The mothcats are also again drawn there. "Are you messing with the lights?" Jon asks aloud. Maybe there is a way to carry over Tony's antics after all.
no subject
(no subject)
(no subject)